Résultats du vrai ou faux - Paris golden ticket

Artists should engage and defend causes they deem just.

Artists have morals with variable geometry.

Artists only engage when they find an economic or reputational interest.

Artists must engage politically by supporting political parties.

Artists can no longer self-finance because they pay too much tax.

To be truly independent, artists must self-fund.

The state should fund art through public subsidies.

The state only funds artists who defend the ideas of those in power.

The state has a say in the works it subsidises.

Artists use public broadcasting to make themselves known to the public and fill their venues.

Public broadcasting uses artists to promote their political ideas.

Public broadcasting filters artists according to their political leanings.

Public broadcasting has become the government's spokesperson.

The media have the power to make or break artists' careers.

Media and social networks 'erase/cancel' artists when they defend progressive ideas.

Media and social media 'erase/cancel' artists when they defend conservative ideas.

The far right censors artists who combat their ideas by opposing the funding of their projects and/or by cancelling their performances.

The far left censors artists who combat their ideas by opposing the funding of their projects and/or by cancelling their performances.

Works or performances containing offensive content must be censored.

Works or performances that may create public disorder must be censored.

Works or performances containing content likely to manipulate public opinion and incite voting in a particular direction must be censored.

Today almost all artists are left-wing.

Today almost all artists are right-wing.

Artists change political sides when it suits them.

Artists can sway an election by taking a stand for a candidate.

Artists convey ideas or messages that serve or undermine political parties.

Art has become a luxury product because ticket prices for shows are too high.

For there to be independent artists who depend neither on the state nor on the powers of money, we must accept that ticket prices will be high.

State subsidies allow for lower ticket prices for shows.

There needs to be a public service for art and culture that makes art accessible to everyone.