Résultats des apéros débats autour de l'oeuvre « Pouvoir sexe et subventions » qui ont eu lieu pendant les expos et partout dans le monde.
Résultats des apéros débats autour de l'oeuvre « Pouvoir sexe et subventions » qui ont eu lieu pendant les expos et partout dans le monde.
Temps de lecture : 1 min
Below are the responses from all participants who have answered the questions since the questionnaire was created. These results combine responses from all countries, all men and women, and all age groups.
To view detailed statistics by country, gender or age group, click the "Results" button (symbol ) below each question.
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In the art world, as in other fields, one often has to 'sleep their way to the top'. Should 'couch promotions' be sanctioned when both parties are consenting?
Between artist agents, directors, screenwriters, casting directors, and producers..., women have to sleep with the entire world to succeed. Can we still talk about 'couch promotion'?
In France, the law does not condemn sexual acts between a superior and their subordinate, but only sexual harassment (Article L1153-1 of the Labour Code). Is offering a professional opportunity to a woman in exchange for a sexual favour a form of sexual harassment?
"Everyone knows, no one speaks" Are you prepared to sacrifice your professional future to report sexual abuse committed against someone else?
The Île-de-France region financed Roman Polanski's film 'J'accuse'. By funding artists, even when they are accused of sexual crimes, are state officials encouraging them to reoffend?
In artistic circles, cliquishness prevails. New profiles are rare and we always see the same faces, even when they string together failures. Should this system be brought to an end?
Contemporary art faces significant negative criticism. Should the state fund works that are not considered art by taxpayers?
Should we subsidise successful artists who attract audiences to festivals, or on the contrary, unknown artists who interest no one, to make them known?
The world of finance is only interested in profits and not in creators. The American 'Me-too' movement proved that funding art through private funds can clean up the film industry. Should France do the same?
Misuse of public funds, overcharging, fraud, sexual blackmail - the state turns a blind eye and festival directors (or other decision-makers) have complete power over careers. Should there be more controls to ensure the proper use of public subsidies?